Alice Channer
Alice Channer
1977 in Oxford, UK
Lives and works in London, UK
Education
2006 – 2008
MA in Sculpture at Royal College of Art, London, UK
2003 – 2006
BA in Fine Art at Goldsmiths College, London, UK
Solo Exhibitions
2013
The Hepworth Wakefield, UK (forthcoming)
2012
South London Gallery, London, UK (forthcoming)
2011
Body-Conscious, The Approach, London, UK
Other-Directed, BolteLang, Zurich, Switzerland
2010
Inhale, Exhale, Charles Rennie Mackintosh Gallery, Glasgow School of Art, as part of the Glasgow International, Scotland
2009
Every Separation Is A Link, curated by Paola Caravati, Milan, Italy
I Cannot Tell The Difference Between One Thing And Another, curated by McIntyre Parker, Pied-à-terre, Portland, Oregon, USA
Worn-work, The Approach, London, UK
Works Folded Out Of And In To The Collection Of, World Class Boxing, Miami, USA
I have been unable to borrow the template of Big Ben, Puncuation Programme, Limoncello, London, UK
2007
That Make Up Some Things, Associates Gallery, London, UK
Group Exhibitions
2012
Open Work, Drawing Room London and Leeds City Art Gallery touring show (forthcoming)
2011
The Cat Is On The Table, Spazio A, Pistoia, Italy
V22 Young London, V22 Workspace, London, UK
Alice Channer, Jamie Isenstein, J. Parker Valentine, Lisa Cooley, New York, USA
The Hole, London, UK
Americans and Apricots, curated by Justin Beal, Crisp, London, UK
Two-person presentation, Independent Art Fair, New York, USA
2010
Everynight, I go to sleep, Stuart Shave/Moden Art, London UK
Unto This Last, Raven Row, London, UK
Alice Channer, Dagmar Heppner, Alicja Kwade, Maria Zahle, Bolte Lang, Zurich, Switzerland
2009
Boule to Braid, curated by Richard Wentworth, Lisson Gallery, London, UK
The Quiet Revolution, curated by Chris Fite-Wassilak, A Hayward Gallery touring
show (Milton Keynes Gallery, Harris Museum & Art Gallery, Preston, Djanogly Art
Gallery, Nottingham, UK)
Because I Say So, Frost Art Museum at Florida International University, USA
I have been unable to borrow the template of Big Ben, Punctuation program,
Limoncello, London, UK
December 1952, curated by Cally Spooner, Chelsea Space, London, UK
Little Shop On Hoxton Street, Limoncello, London, UK
2008
Dogtooth and Tessellate, curated by Michelle Cotton and Emma Robertson, The
Approach, London, UK
Strange Solution, curated by Katherine Stout, Art Now, Tate Britain, London, UK
Associates, curated by Paola de Clerico, Phillips De Pury, New York, USA
M25 Around London, curated by Barry Schwabsky, CCA Andtrax, Mallorca, Spain
Please Don’t Make Me Be Misunderstood, curated by Desiree Cronk, World Class
Boxing, Miami, USA
Martin Westwood’s selection for V22, The Wharf Road Project, The Wenlock
Building, Wharf Road, London, UK
100 Years, 100 Artists, 100 Works of Art, curated by Sally Shaw for Art On The
Underground, Rochelle School, London, UK
Multi-Focal, MA show, Royal College of Art Sculpture School, London, UK
2007
Took My Hands Off Your Eyes Too Soon, curated by Ryan Gander, Tanya Bonakdar Gallery, New York, USA
Two Halves A Show In, Interim Show, Royal College of Art, London, UK
2006
Explorers From Overseas, Galleri Specta, Copenhagen, Denmark
A Collection Of Various Parts Including, Degree show, Goldsmiths College,
London, UK
2004
Dividing Lines, Numbers Gallery, London, UK
I Thought You Were Dead, Numbers Gallery, London, UK
Bibliography
2011
Williams, Gilda, Body Conscious, Artforum, Summer, p. 416-417
Sherwin, Skye, Artists to meet: Alice Channer, Ten Magazine, Issue 40, p.86
Geldard, Rebecca, Body Conscious, ArtReview, Issue 51, p. 157
Sherwin, Skye, Artist of the Week, Guardian Unlimited.com, Friday 14th April
Alice Channer, Jamie Isenstein, J. Parker Valentine, The New Yorker, 29th April
Rosenberg, Karen, Rising and Regrouping on the Lower East Side, New York Times, 21st April
Geldard, Rebecca, Americans and Apricots, Time Out London, Issue 2122, p. 53
Luke, Ben, Alice Channer, London Evening Standard, March 21st
Milliard, Coline, Studio Check, Modern Painters, March, p. 32
Milliard, Coline, New Comets, Five London Artists To Watch, Artinfo.com, February
2010
Luke, Ben, Critics’ Picks: Unto This Last, Artforum, June
Thorne, Sam, Alice Channer, Frieze, March, p. 106-107
Sumpter, Helen, In The Studio, Time Out, June 3rd-9th, p. 44
Griffin, Jonathan, Glasgow International, Frieze, June-August
Latimer, Quinn, Alice Channer, Dagmar Heppner, Alicja Kwade and Maria Zahle, Artforum.com critics picks, February
Nathanson, Hannah, Best of Brit Art, Evening Standard Magazine, October 15th, p.46-49
Milliard, Coline, Unto This Last, Modern Painters, July
Unto This Last, Kultureflash
2009
Riva, Caterina, Every Separation Is A Link, Mousse Magazine Online, www.moussemagazine.it
Schwabsky, Barry, Artforum, October p.249
Sam, Sherman, Quiet Revolution, and Worn-Work, The Brooklyn Rail, www.brooklynrail.org, September
McLean-Ferris, Laura, Close Encounters, Artreview, www.artreview.com, August
Alice Channer, Kultureflash, 23/07/09
2008
Focus London, Flash Art, p.90
Luke, Ben, Associates, Art World Feb/March, p. 130-133
2007
Cotter Holland, Took My Hands Off Your Eyes Too Soon, New York Times November 23rd
Publications and Writing
2010
Inhale, Exhale, publication for exhibition at Mackintosh Gallery, The Glasgow School of Art
Giorgio Morandi’s Still Life with Very Fine Hatching, in Microtate, Tate Etc, Microtate, Issue 20, Autumn 2010, p.117
2009
Inside Out, in The Moderns, Coelacanth Journal, Issue 3
Quiet Revolution, Exhibition Catalogue
2008
Flatwork, edited by Vanessa Billy and Kitty Anderson
Associates in New York, Exhibition Catalogue
Awards
Outset Tate Collection Frieze Art Fair Acquisition Fund Award, 10/09
The Warden’s Purchase Prize, awarded by Goldsmiths College, 06/06
The Hamad Butt Award for Fine Art, awarded by Goldsmiths College, 10/05